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“Both women alienate themselves from their worlds for their men, both grow jealous and then rage and act in defiance,” historian Gregorio Luke told the Long Beach Press Telegram in 2011. Medea, in particular, has a lot in common with Maria. In Norse mythology, the figure Gudrun kills her own children as well, as do the Greek figures of Medea and Lamia, the latter of whom was turned into a child-eating monster when she was found to be Zeus’ mistress by Hera. “Maria drowned her sons in grief, and soon after she went missing, her own body washed up on the banks of the river,” the story continues.ĭifferent cultures have their own versions of La Llorona. The nobleman dumped Maria, married another woman, thereby mending his strained relationship with his family. But ultimately, the report says, their differences became too much for their relationship to handle. Maria caught the eye of a village nobleman - a Spaniard - who pursued her despite the warnings of the villagers. While some stories depict her as a ‘skull-faced goddess Cihuacoatl’ who is said to have been seen ‘weeping at the crossroads where she abandoned her own child’, more recent avatars portray her a ‘beautiful but hopelessly impoverished village girl named Maria’. Pictures shows Marisol Ramirez in a scene from The Curse of La Llorona. Will get you.” This image released by Warner Bros. “The legend of La Llorona has been handed down from generation to generation, especially in the Latin community, where you’re warned that if you don’t behave, La Llorona will get you,” actor Raymond Cruz told the Los Angeles Times. “The curse of La Llorona is something we grow up with,” Venezuelan actor Patricia Velazquez, who stars in the film, told Moviefone. SyFy Wire says that while the legend of La Llorona is largely thought of as a Mexican tale - a story that every child is told in their youth - it can trace its origins to Aztec times.
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This time it is the Mexican folk tale of La Llorona, a woman who is said to have drowned her two children in a river, and wanders the earth looking to steal others’. Like the series’ previous entries - the first and second Conjuring films, two more Annabelle movies and The Nun - the Curse of the Weeping Woman also claims to be (at least in part) based on a real story.
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It's not really right to do an unofficial spinoff without the full team.The latest instalment in James Wan’s Conjuring Universe, The Curse of the Weeping Woman, was released across the world on Friday. But The Conjuring franchise is created by a team that's been there since the beginning. But James was on as a producer, the conversation got started about an Easter egg. He added, "The idea was just to have a playful connection because the myth of La Llorona can stand on its own. But as La Llorona is an outsider herself, I think it fits." And that's why it has this outsider status. The plan was, you would get into it, and then it's like, 'Oh, my God, they're connected!' We weren't, from the beginning, supposed to be doing that. But it wasn't supposed to be marketed that way. Originally, there was only supposed to be a playful nod by putting in and having the Annabelle flash. "The very simple reason isn't it was made without one of the producers, so technically it can not be fully embraced," Chaves detailed to Dread Central.